Chronologically this is the second time I confront ‘The Horizon of Events’. In this cycle I try to push forward into the deconstruction of drawing to explore its properties. Particular matter represents the known part of the world (with measurable and understandable theorems) and the white background is part of the unknown (untouchable, beyond perception, absolute). The works are impressions of crossing the critical line between known and unknown. Vicis means that when you actually cross event horizons nothing will be the same as it was, neither perception nor reality.